Rebel Citizen

Στο ντοκιμαντέρ αυτό της Pamela Yates, παρουσιάζεται σε πρώτο πρόσωπο η στάση ζωής και το όραμα του δύο φορές βραβευμένου με όσκαρ, Haskell Wexler. Με ενεργό συμμετοχή στις κοινωνικές διεκδικήσεις για πολλές δεκαετίες, από τα 60’s μέχρι και το 2012, και με συνεχή παρακολούθηση και περιορισμούς από τις μυστικές υπηρεσίες, ίσως το μήνυμά του συνοψίζεται στη φράση του εκείνη ότι “τώρα πρέπει να γίνουμε διεθνείς πατριώτες για την υπεράσπιση του πλανήτη”.

Συγκεκριμένα, μας δίνεται η ευκαιρία να μάθουμε από πρώτο χέρι σχετικά με τις διεκδικήσεις των 60s για ίσα δικαιώματα, μέχρι τις πιο πρόσφατες διαδηλώσεις για τους θανάτους Αφρομερικανών, από τo ’12on12off’ και τον αποκλεισμό του Haskell από την κυρίαρχη βιομηχανία θεάματος, μέχρι τις κινητοποιήσεις για τη σύνοδο του ΝΑΤΟ στο Σικάγο το 2012 και την αξέχαστη περίπτωση του αδικοχαμένου James Folley.

Pamela Yates’ latest documentary, REBEL CITIZEN takes you on a revelatory tour of two time Oscar-winning cinematographer Haskell Wexler’s political documentary work, letting the veteran artist and activist share his vision of how to be a citizen in the world.

In REBEL CITIZEN, Wexler speaks with lucidity and a candor that can only come with hard-won experience and the wisdom of age, about his progressive political beliefs and his artistry. “There are a lot of ways to look at the world,” says Wexler, “that may not be presented to us as the important things.” In REBEL CITIZEN we see the world through Wexler’s eyes, as he narrates his self-evolution as an artist and an activist. You’ll hear about one of his first documentaries, THE BUS from 1963, filmed with civil rights activists as they traveled the country on their way to the 1963 March on Washington where Dr. Martin Luther King Jr. gave his historic “I Have a Dream” speech. This film has great resonance today with the rise of the Black Lives Matter movement. He speaks extensively about the groundbreaking MEDIUM COOL, one of the original hybrid films, where he filmed his actors in the midst of the police riot at the Democratic National Convention in 1968; and you’ll find out that when Haskell filmed UNDERGROUND, about the radical Weather Underground fugitives, it cost him his job as cinematographer on “One Flew Over the Cuckoo’s Nest” when the FBI came to the set to investigate him.

More than a retrospective of a master’s work, however, REBEL CITIZEN asks the question, “What does it mean to be a patriot?” Haskell does not see his critiques of the U.S. government as antithetical to being a patriot–they are, in fact what make him patriotic. “I don’t critique our government per se, I ask the government, ‘Who do you represent? Do you represent the people? Or do you represent private interests?” Yates’ intimate interview style with Wexler’s blunt and at times irreverent answers make for a fascinating dialogue on political documentaries, and the commitment every American citizen should make towards bettering the United States. “I’m not ready to give our country away to anybody, you know?” says Wexler, “and that’s it.”

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